Typography, Layout, and Graphic Design#
Generative images can misspell or distort type. Keep copy short, quote it exactly, describe hierarchy and placement, and use a layout tool for long or legally sensitive text.
Headline reads exactly “FIELD NOTES” in large uppercase condensed sans-serif letters,
centered across the top. No other text, numbers, symbols, logos, or watermark.
Typeface classifications#
| Class | Defining features | Typical visual tone |
|---|---|---|
| Old-style serif | Bracketed serifs, diagonal stress, moderate contrast, humanist proportions. | Literary, warm, established. |
| Transitional serif | More vertical stress and sharper contrast than old style. | Formal, clear, classic. |
| Didone / modern serif | Very high thick-thin contrast, vertical stress, hairline unbracketed serifs. | Fashion, luxury, drama. |
| Slab serif | Heavy blocklike serifs, low-to-moderate contrast. | Robust, editorial, industrial. |
| Clarendon | Bracketed sturdy slab serif with moderate contrast. | Heritage, poster-like, friendly authority. |
| Glyphic / incised serif | Flared or chiseled terminals inspired by carved lettering. | Monumental, refined, inscriptional. |
| Humanist sans | Calligraphic proportions and open forms. | Accessible, warm, readable. |
| Grotesque sans | Early sans forms with compact, sometimes quirky proportions. | Utilitarian, modernist. |
| Neo-grotesque sans | Neutral uniform strokes and controlled shapes. | Corporate, systematic, restrained. |
| Geometric sans | Circular bowls and geometry-led construction. | Clean, modern, architectural. |
| Rounded sans | Softened terminals and corners. | Friendly, informal, approachable. |
| Condensed sans | Narrow letterforms fit strong headlines in limited width. | Urgent, editorial, athletic. |
| Monospaced | Every character occupies equal width. | Technical, archival, code-like. |
| Script | Connected or flowing handwritten forms. | Personal, formal, celebratory depending on style. |
| Brush script | Visible brush pressure and energetic joins. | Casual, expressive, sign-painted. |
| Blackletter | Dense angular medieval-derived strokes. | Historic, ceremonial, subcultural. |
| Display / decorative | Designed mainly for large sizes with distinctive personality. | Specific; avoid for body copy. |
| Stencil | Bridges preserve counters in cut letterforms. | Industrial, military, fabricated. |
| Pixel / bitmap | Forms built on visible square grid. | Retro-digital, game-like. |
| Variable-style lettering | Width, weight, slant, or optical size visibly shifts. | Flexible and contemporary. |
Type anatomy vocabulary#
- Baseline: invisible line on which most letters sit.
- Cap height: height of uppercase letters.
- X-height: height of lowercase x; large x-height often increases apparent size.
- Ascender: stroke rising above x-height, as in
borh. - Descender: stroke falling below baseline, as in
gorp. - Stem: principal vertical or diagonal stroke.
- Bowl: enclosed curved stroke in
b,d, orO. - Counter: enclosed or partly enclosed negative space in a letter.
- Aperture: opening in forms such as
c,e, ors. - Serif: finishing stroke at a main stroke end.
- Bracket: curved transition connecting serif and stem.
- Terminal: non-serif ending of a stroke.
- Spur: small projecting stroke.
- Crossbar: horizontal stroke, as in
AorH. - Ligature: combined glyph for character pairs such as
fi. - Swash: decorative extended entry or exit stroke.
- Stress: directional axis implied by thick-thin transition.
- Contrast: difference between thick and thin strokes.
Weight, width, and posture#
| Term | Meaning |
|---|---|
| Hairline / thin | Extremely delicate strokes; needs high contrast and large size. |
| Light | Airy reduced weight. |
| Regular / book | Normal reading weight. |
| Medium | Slight emphasis without full boldness. |
| Semibold / demibold | Strong emphasis with retained detail. |
| Bold | Heavy strokes for hierarchy. |
| Black / heavy | Maximum mass and impact. |
| Condensed | Narrow width, efficient but potentially dense. |
| Extended / expanded | Wide letterforms with broad stance. |
| Italic | Purpose-drawn cursive or slanted companion forms. |
| Oblique | Mechanically or geometrically slanted roman forms. |
| Upright | Non-slanted posture. |
| Small caps | Capitals designed near lowercase height, not merely scaled-down capitals. |
| Unicase | Upper- and lowercase-inspired forms share one apparent height. |
Spacing and typesetting#
- Kerning: adjustment between specific character pairs.
- Tracking / letterspacing: uniform spacing adjustment across a range.
- Leading / line spacing: baseline-to-baseline vertical distance.
- Word spacing: interval between words.
- Measure: line length; shorter measures suit narrow columns and captions.
- Alignment: left, right, centered, justified, or aligned to a visual axis.
- Rag: irregular edge of flush-left or flush-right text;
clean ragavoids awkward shapes. - Justification: spacing expands so both column edges align; may create rivers.
- River: accidental vertical channel of white through text.
- Widow: short last line of a paragraph separated or visually stranded.
- Orphan: first/last line or short word stranded across a break; definitions vary by convention.
- Hanging punctuation: punctuation projects into margin to preserve optical alignment.
- Optical alignment: edges adjusted by perception rather than strict geometry.
- Baseline grid: text lines align to a shared vertical rhythm.
- Hyphenation: word breaks at line ends; usually avoid in short generated display copy.
Case and text treatments#
| Treatment | Prompt cue |
|---|---|
| Uppercase | set in ALL CAPS |
| Lowercase | all lowercase wordmark |
| Title case | capitalize principal words |
| Sentence case | only initial word and proper names capitalized |
| Outline | hollow outlined letters with uniform 3px stroke |
| Inline | thin decorative line running inside heavy letters |
| Drop shadow | hard offset shadow down-right, no blur |
| Extruded | shallow dimensional letter extrusion |
| Beveled | small beveled edge catching highlights |
| Embossed | letters raised from paper |
| Debossed | letters pressed into paper |
| Foil-stamped | reflective copper foil lettering |
| Knockout / reversed | white letters knocked out of navy rectangle |
| Gradient-filled | Describe exact start/end colors and direction. |
| Textured fill | Name material or print texture and preserve legibility. |
| Arched / curved baseline | headline follows a shallow upward arc |
| Vertical type | Clarify rotated word versus stacked upright letters. |
Lettering and sign-making styles#
- Hand lettering: custom-drawn letterforms with intentional variation.
- Calligraphy: writing shaped by a specific broad-edge, pointed-pen, brush, or monoline tool.
- Copperplate-like script: high-contrast pointed-pen strokes and formal slant.
- Italic calligraphy: broad-edge rhythmic letters with modest slant.
- Brush lettering: pressure-sensitive energetic thick-thin strokes.
- Sign painting: hand-painted letters, often with shade, outline, or casual script.
- One-stroke lettering: economical brush-built commercial letters.
- Casual monoline: uniform handwritten stroke and simple joins.
- Chalk lettering: powdery hand-drawn forms on dark board with flourishes.
- Graffiti tag: fast personal signature mark; distinct from filled pieces or murals.
- Bubble lettering: rounded inflated display forms.
- Block lettering: simple sturdy constructed capitals.
- Carved inscription: incised letters with chisel-shaped terminals and physical shadows.
- Neon lettering: luminous glass-tube monoline with mounting clips and colored halo.
- Marquee lettering: dimensional letters with rows of exposed bulbs.
Hierarchy terms#
| Level | Function |
|---|---|
| Masthead | Publication or recurring series name. |
| Eyebrow / kicker | Small line above headline providing category/context. |
| Headline | Dominant message and first reading point. |
| Deck / standfirst | Supporting summary beneath headline. |
| Subheading | Divides content sections. |
| Body copy | Main reading text; generate externally when length matters. |
| Pull quote | Enlarged quotation used as secondary focal point. |
| Caption | Small text associated with image or figure. |
| Label | Short identifier attached to object, axis, or control. |
| Callout | Annotation highlighting a feature. |
| Folio | Page number and related running information. |
| Running head | Repeated section/publication title at page edge. |
| Footer | Bottom metadata or navigation area. |
| Byline | Creator/author credit. |
| Dateline | Date/location line in editorial contexts. |
| Call to action | Action-oriented button or statement. |
Control hierarchy with relative scale: headline 4× larger than subtitle; caption 40% of subtitle size.
Grid systems#
| Grid | Structure | Best suited to |
|---|---|---|
| Manuscript grid | One principal content rectangle with margins. | Books, essays, simple posters. |
| Column grid | Vertical columns with gutters. | Editorial pages, responsive layouts. |
| Modular grid | Columns and rows create repeatable cells. | Catalogs, dashboards, systematic posters. |
| Baseline grid | Horizontal rhythm aligns text lines. | Multi-column typography. |
| Hierarchical grid | Unequal zones follow content importance. | Websites, packaging, varied information. |
| Swiss-style grid | Rigorous asymmetric columns, sans type, objective organization. | Modernist posters and information design. |
| Golden-ratio grid | Divisions follow proportional relationships. | Books, premium editorial design. |
| Radial grid | Elements align around center or arc. | Diagrams, expressive posters. |
| Diagonal grid | Baselines and blocks follow angled axes. | Dynamic event graphics. |
| Broken grid | Selected elements deliberately cross or escape underlying grid. | Expressive editorial design. |
Grid vocabulary: margin, column, gutter, module, spatial zone, baseline, guide, trim, bleed, safe area, and fold.
Layout structures#
- Centered formal: symmetrical vertical hierarchy and equal side margins.
- Asymmetric modernist: left-aligned type, unequal blocks, active negative space.
- Hero image: one dominant image with overlaid or adjacent copy.
- Split layout: frame divided into two major regions.
- Band layout: horizontal strips stack content.
- Sidebar layout: narrow supporting column beside main field.
- Card layout: discrete enclosed modules.
- Bento layout: varied rectangular cards pack into a clean matrix.
- Full-bleed image: visual extends beyond trim on all sides.
- Image-led spread: photography dominates with minimal text.
- Type-led poster: typography is the primary image.
- Collage layout: overlapping fragments create layered hierarchy.
- Specimen layout: systematic examples compare type, color, or components.
- Data-dense dashboard: compact repeated modules with strict alignment.
- Minimal layout: few elements and generous margins; still needs clear hierarchy.
- Maximalist layout: dense decorative layering coordinated by repetition and scale.
Poster genres and useful cues#
| Genre | Visual language |
|---|---|
| Typographic poster | Type is dominant; scale contrast, grid, and letterform shape drive composition. |
| Photographic poster | Hero image plus restrained text hierarchy and deliberate copy space. |
| Illustrated poster | Image and title share a unified medium and palette. |
| Constructivist-inspired | Diagonals, geometric forms, limited red/black/cream palette, bold sans type. |
| International-style | Asymmetric grid, sans type, objective photography, generous negative space. |
| Psychedelic | Distorted lettering, vibrating complementary colors, dense organic shapes. |
| Screen-printed gig poster | Limited spot colors, bold imagery, ink texture, event hierarchy. |
| Letterpress broadside | Strong type, ornaments/rules, physical impression, uncoated paper. |
| Propaganda-style | Monumental figures, simplified message hierarchy, directional rays; specify context responsibly. |
| Wayfinding poster | Immediate symbol, high contrast, concise copy, distance readability. |
| Exhibition poster | Artwork/title/date/venue with curatorial restraint. |
| Infographic poster | Charts, labels, icons, and explanatory sequence dominate. |
Logo and identity vocabulary#
- Wordmark: brand name rendered as custom or selected lettering.
- Lettermark / monogram: initials form the identifying mark.
- Pictorial mark: recognizable object used as symbol.
- Abstract mark: nonliteral geometry identifies brand.
- Combination mark: symbol plus wordmark.
- Emblem: lettering enclosed within badge, seal, or crest.
- Responsive logo: detail simplifies across sizes.
- Negative-space mark: background gaps form a secondary symbol.
- Geometric mark: constructed from circles, grids, or simple polygons.
- Organic mark: irregular natural curves and asymmetry.
- Mascot: illustrated character represents identity.
- Badge: compact enclosed mark suited to labels and avatars.
- Lockup: approved spatial arrangement of logo components.
- Clear space: protected area surrounding mark.
For logo generation, request a simple silhouette, few colors, no mockup, no extra text, and test it at small size. Vectorize and refine manually before production use.
Information graphics#
| Form | Appropriate use |
|---|---|
| Bar chart | Compare discrete quantities. |
| Line chart | Show change over ordered/continuous interval. |
| Area chart | Emphasize accumulated magnitude over time. |
| Scatter plot | Show relationship/distribution between two variables. |
| Pie/donut chart | Show a small number of parts of a whole; labels must remain clear. |
| Timeline | Sequence dated events along an axis. |
| Flowchart | Steps and decision branches connected by directional arrows. |
| Process diagram | Ordered stages without necessarily branching. |
| Network diagram | Nodes and relationships. |
| Sankey diagram | Flow quantities represented by varying band width. |
| Map | Geographic position; choose choropleth, point, route, or contour treatment. |
| Exploded diagram | Components separated while preserving assembly relation. |
| Cutaway | Interior revealed through removed exterior section. |
| Anatomical plate | Labeled structures with consistent leaders and hierarchy. |
| Icon array | Repeated symbols represent proportions or counts. |
Generated charts may contain false data. Supply exact values, verify every mark, and recreate data-critical graphics with deterministic software.
Packaging terms#
- Primary panel / front of pack: main brand, product name, variant, and hero image.
- Side panel: secondary information, story, instructions, or specifications.
- Back panel: detailed copy, barcode, ingredients, warnings, or legal information.
- Dieline: flat cut, fold, glue, and bleed template; use deterministic tools for manufacturing.
- Hang tag: separate card attached by string or fastener.
- Belly band: printed strip wrapping partly or fully around product.
- Sleeve: open-ended printed cover sliding over inner package.
- Tuck box: folded carton with closing flaps.
- Rigid box: wrapped board construction with separate lid or magnetic closure.
- Pouch: flexible package, often gusseted and heat sealed.
- Blister pack: transparent formed plastic over printed backing.
- Label: adhesive or wrapped printed substrate.
- Tamper seal: visible closure proving package integrity.
- Window: cutout exposing product, sometimes covered by film.
Print/finish terms: spot color, four-color process, white ink, foil stamp, emboss, deboss, spot UV, soft-touch lamination, die cut, perforation, kiss cut, and registered varnish.
Exact-text checklist#
- Quote the exact text.
- Spell it letter by letter when short and critical.
- State capitalization and punctuation.
- Limit the number of text blocks.
- Assign each block a location and hierarchy level.
- Keep surfaces front-facing and minimally distorted.
- Require
no other textwhen appropriate. - Inspect accents, digits, repeated letters, mirrored glyphs, and punctuation.
- Replace or typeset text after generation if absolute accuracy matters.
Prompt patterns#
vertical 2:3 museum poster on warm off-white paper, strict six-column grid, small uppercase
red eyebrow at top-left, enormous black neo-grotesque headline reading exactly “FORM / FIELD”,
one cobalt geometric shape crossing columns 4–6, generous margins, no other text
premium tea box front panel, centered gold-foil emblem above the exact words “NORTH GARDEN” in
widely tracked uppercase serif letters, small subtitle “JASMINE TEA”, deep forest-green uncoated
paper, blind-debossed leaf pattern, straight-on flat artwork without perspective mockup
clean four-step process infographic, left-to-right sequence, four equal modules connected by
one continuous arrow, consistent two-color line icons, short numbered labels 1 through 4,
ample whitespace, strong figure-ground separation, no decorative pseudo-text
Use generative output for ideation and imagery, then verify typography, accessibility, data, bleed, dielines, and print production in appropriate design software.